by Daniel Acheson
“Misaeng,” which means “an incomplete life,” is a 2014 South Korean television drama about 26-year old Jang Geu-rae and his struggles adapting to corporate life after failing to qualify as a professional go player.
Starting with the show’s title, which refers to the life and death status of a group of stones, “Misaeng” is suffused with go imagery and references. Flashbacks to Geu-rae’s go career pepper the storyline, and there are many scenes where the game is used to make analogous connections to his internship. In one episode, for example, Geu-rae adapts his go study system to completely reorganize his section’s shared files, which are a hopeless mess. While this may not sound like much, this early assignment, and the drama that surrounds it, becomes a pivotal moment in the story’s development.
Geu-rae’s corporate environment also mimics life on the goban: Among the interns and staff there is fierce competition for survival and promotion. Like the middle game, opening moves – education, internships, career choices – have determined certain relationships, and the characters must find opportunities to advance within (or in spite of) the constraints imposed by their past actions. In this respect Geu-rae is at a distinct disadvantage.
Due to the hermetic years spent studying go, Geu-rae possesses none of the educational or social advantages of his peers. He is armed only
with a high-school equivalency exam certificate and an aptitude for undertaking difficult, thankless work. Nothing about his start with One International is auspicious. Geu-rae’s manager, Oh Sang-shik, regards this new intern as an unqualified burden and openly voices hopes that Geu-rae will fail. Among peers Geu-rae is known as a “bomb,” meaning someone who will explode under the pressures of the internship and thus fail. Yet Geu-rae surprises everyone with his fortitude.
In a similar way, I think “Misaeng” will also pleasantly surprise its viewers. Although the show starts slowly, each episode builds momentum and invests viewers more and more in the characters and their storylines. The data confirms this: Average ratings for “Misaeng” jumped fivefold from its premier in October 2014 to its conclusion in December of that year.
One reason for this popularity, I think, is that it is relatable. In 2012, when “Misaeng” started as a webtoon, its creator, Yoon Tae-ho, began with “countless interviews with real-life people who work for corporations.” “Explain it to me as if you were explaining it to a middle school student,” he would say to his interviewees. “If you really want to know about something, you have to have the courage to look like an idiot, the courage to say you don’t know anything about what they know.” As a result Geu-rae’s world, and with that of his contemporaries, feels real and lived in precisely because it is the world inhabited by so many in their personal and professional lives.
The struggle for complete life is as present on the goban as it is in the office or home, even if it is less evident. It’s also something that each player must face on their own despite being in the company of others. This is the essence of “Misaeng.”
“Misaeng” is available on Hulu Plus. Quotes from The Korea Herald and Korea Joongang Daily
photo (bottom left): Webtoon writer Yoon Tae-ho poses in his office prior to an interview with The Korea Herald on March 7. (Lee Sang-sub/The Korea Herald)
Edited by Howard Wong
Gerstorfer. “One additional bit of information that might be interesting to the readers of the American Go E-Journal is an exhibition of go-related Ukiyo-e — woodblock prints and paintings — in the Tokaido Hiroshige Art Museum of Shizuoka that will take place from February 6th to April 1st, 2018. There was a go related Ukiyo-e exhibition in Villach, Austria in 2007 in conjunction with the European Go Congress but this one will be bigger and more exciting and taking place in a dedicated Ukiyo-e museum.”
The Shanghai Restoration Project’s “AlphaGo” single
Sunday January 14, 2018
The advent of AlphaGo has inspired…well, many things. Chief among them, of course, is self-reflection among serious go players:
What is it like to be superseded by artificial intelligence? Conversely, what can AlphaGo teach us about being human? Google’s AI inspired a movie, a belief that future health care will be better, endless cartoons and the belief that soon Al will be able to create knowledge itself. But music? It seems so. The Shanghai Restoration Project (SRP), a contemporary electronic music duo of Dave Liang and Sun Yunfan, recently dropped their new album R.U.R., with a single entitled “Alpha Go.” The group tells the E-Journal that R.U.R. explores a world in where robots have supplanted the extinct human civilization that predated them. ‘Alpha Go,’ the musicians say, is both “a tribute and an elegy” to Ke Jie’s defeat by the Google AI; it mixes in human elements with decidedly artificial ones. The tune is an airy, abstract melody. It’s evenly paced but turns on a dime, delivered by Yunfan ‘s vocals, which are digitally manipulated. Both musicians played go growing up, with Ms. Sun playing briefly for her school team. The cover art for the album is currently on display at NYC’s Society Of Illustrators until Jan 27 as part of the Illustrators 60 exhibition. “Alpha Go” can be listened to on YouTube or the SRP website.
– Charles “Doc” Sade, with thanks to Santana Afton for the tip